Color of Paradise: An Inspiration of Bird-of-Paradise Feather Colors in the Artworks and Designs in Papua
DOI:
https://doi.org/10.18533/journal.v8i7.1694Keywords:
Colors, Bird-of-Paradise, Arts, PapuaAbstract
Papua as the part of the Unitary State of the Republic of Indonesia has a wealth of cultural colors. Various colors in the rite of death tradition are the manifestations of various ethnic groups in Papua. In addition, Papua has natural wealth in the form of various colors of flora and fauna. It is manifested in the beauty of Bird-of-Paradise color which is very well known as the icon of Papua and the messenger of Moon Goddess. The research method used is a qualitative descriptive method. The qualitative descriptive method is to provide an overview about the doers’ condition and their environment based on the facts in the field. The result obtained in socio-cultural aspect is the colors of Bird-of-Paradise feathers can be referred to as a social labeling. It is a kind of "social stamp" addressed by an institution or group of people related to socio-cultural reality. Color is created as a label for socio-cultural reality and forms social semiotics which is the meaning formed in society regarding social reality. Signs in the form of colors are a form of world representation by socially reconstructed humans.
References
Costa, F. M. (2016, Desember 10). Puluhan Seniman Papua dan Bali Berkolaborasi Seni di Jayapura. Retrieved from Kompas.com: https://regional.kompas.com.
Endah, H. S. (2011). Cendrawasih Burung Dari Surga (Vol. 10). Zikrul Hakim Bestari.
Faezya, A. (2017, Maret 31). Fantasy Jersey Persipura Home 2017. Retrieved from Faezya Blog: http://www.faezya.com.
Halliday, M. A. (1977). Language as Social Semiotic: Towards as General Sociolinguistic Theory. In: A. Makkai, V. Makkai, & L. Heilman (eds.), Linguistic at The Crossroads, McGraw-Hill, Padova, pp.13-41.
Halliday, M. A. K., Ramlan, M., Hasan, R., & Tou, A. B. (1992). Bahasa, konteks, dan teks: aspek-aspek bahasa dalam pandangan semiotik sosial. Gadjah Mada University Press.
Halliday, M. A. K. (1978). The social interpretation of language and meaning. Hodder & Stoughton Educational.
Hidajat, H., & Nathania, A. (2017). Perancangan Video Infografi “Noken, Warisan Budaya Tak Benda Papua”. Rupa Rupa, 5(1).
Hoed, B. H. (2014). Semiotik dan Dinamika Sosial Budaya. Depok: Komunitas Bambu.
Laksmana, Y. (2010). Jelajah Jayapura. Gramedia Pustaka Utama.
Lamia, V. A., & Karongkong, H. H. (2016). Gedung Kesenian Papua Sebagai Pusat Seni Dan Budaya (Arsitektur Simbolisme). Daseng: Jurnal Arsitektur, 5(1), 258-268.
Nawawi, H. (1991). Metode penelitian bidang sosial. Gadjah Mada University Press.
Prie, M. M. (2012). Ini Tong Pu Hidup. Jakarta: Gramedia.
Rand, A. L., & Gilliard, E. T. (1968). Handbook of New Guinea Birds. Published for the American Museum of Natural History [New York, by] Natural History Press.
Sanyoto, S. E., & Sadjiman, D. (2005). Dasar-Dasar Tata Rupa dan Desain. Yogyakarta: Arti Bumi Intaran.
Swasty, W. (2010). 99 Inspirasi Warna Interior Rumah Tinggal. GRIYA KREASI.
Yusuf, R. (2015, April 1). Ritual Kematian Pada Suku Dani. Retrieved from Ridhwan's Blog: http://ridhwan-yusuf.blogspot.co.id/.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
