The Role of Horror Illustration to the Merchandise of Death Metal Music Group in Bali

Authors

  • I Wayan Suwandi Indonesian Institute of the Arts Denpasar, Bali - Indonesia

DOI:

https://doi.org/10.18533/journal.v8i5.1643

Keywords:

meaning, horror illustrations, design, death metal band merchandise

Abstract

This article was compiled based on the results of the study that aims to know and understand the meaning of horror illustrations in the design of the death metal band merchandise in Bali. This research is conducted because of differences between assumption and reality occurred in society. Every entertainment product should have a different identity to reach the market. A different phenomenon occurs in the group of death metal bands in Bali, which recently tend to use illustrations of horror in their band designs. The questions are: (1) why do the death metal band groups use horror illustrations on the band's design?(2) What is the form of a horror illustration in the death metal band design? (3) What does the horror illustration mean for the band? This study uses a qualitative method. The data sources of this research are death metal band groups, related parties, and relevant previous studies. All data that have been collected through observation, interview and library research process are analyzed using aesthetic theories, semiotic theory and constructivism theory. The results show that: horror illustrations in death metal band groups in Bali are presented in the form of scary, horrible and frightening paintings. It can be seen from the media, lines and colors used. Up to now, the death metal band groups in Bali have tended to use illustrations of horror in their band designs because it is considered to present the meaning of identity, art, social, economic, and culture.

References

Bahari, Nooryan. Kritik Seni Wacana Apresiasidan Kreasi. Yogyakarta: Pustaka Belajar, 2008.

Berger, Arthur A. Pengantar Semiotika: tanda-tanda dalam kebudayaan kontemporer, penerjemah: M.Dwi Marianto (ISI Yogyakarta) Yogyakarta: Tiara Wacana, 2010.

Danesi, Marcel. Pesan, Tandadan Makna: buku teks dasar mengenai semiotika dan teori komunikasi. Penerjemah: Setyarini&Piantari. Yogyakarta: Penerbit Jalasutra, 2012.

Djelantik, A.AM. Estetika Instrumental, Penerbit: STSI Denpasar, 1990.

Djelantik. Estetika Sebuah Pengantar. Jakarta: Masyarakat Seni Pertunjukan Indonesia (MSPI), 2008.

Gie, The Liang. Garis Besar Estetik (Filsafat Keindahan). Yogyakarta: Supersukses, 1983.

Iswidayati, Sri. Roland Barthes dan Mithologi. Portal Garuda.org. 2012

Kartika, Dharsono Sony. Estetika. Bandung: Rekayasa Sains, 2007.

Kismiyati, El Karimah & Wahyudin, Uud. Filsafat & Etika Komunikasi. Bandung: Widya Padjadjaran, 2010.

Kusrianto, Adi. Pengantar Desain Komunikasi Visual.Yogyakarta: Andi, 2007.

Kusrianto, Adi.Pengantar Desain Komunikasi Visual. Yogyakarta: Andi, 2009.

Kusumarini, Yusita. "AnalisisTeks Dan Kode Interior Gereja Karya Tadao Ando" Church of the Light" Dan" Church on the Water"." Dimensi Interior 4.1

(2006): 38-48.

Putra, GedeBayuSegara. Tesis: Kajian Konsep, Estetikadan MaknaIlustrasi Rangda Karya Monez. Pascasarjana ISI Denpasar, 2017.

Pradana, G.Y.K. “Diskursus Fenomena Hamil di Luar Nikah Dalam Pertunjukan Wayang Joblar”. Online Journal of Cultural Studies (2013), 1(2):11-27.

Pradana, G.Y.K. “Deconstruction Powers Of Relations Behind The Shadow Puppet Performance For Tourism In Ubud Village, Bali”, (2017) : pp.115-

In :Ardhana, I.K. (Ed.), Proceedings of The International Seminar On Building Collaboration and Network In The Globalized World, Postgraduate

Program of Cultural Studies, Faculty of Arts-Udayana, Denpasar, Bali, Indonesia, 520p.

Pradana, G.Y.K. “The Meaning of Makotek Tradition at the Munggu Village on the Global Era”, (2018a): pp. 122-128. In : Ardhana, I.K. (Ed.), Proceedings

of The International Bali Hinduism, Tradition and Intereligious Studies, UNHI Press, Denpasar, Bali, Indonesia, 410p.

Pradana, G.Y.K. “Implications of Commodified Parwa Shadow Puppet Performance for Tourism in Ubud, Bali”. Journal of Bussiness of Hospitality and

Tourism (2018b), 4(1): 70-79.

Pradana, Gede Yoga Kharisma. Sosiologi Pariwisata. Denpasar : STPBI Press, 2019.

Pradana, G.Y.K. and I.W. Pantiyasa. “Makotek as Tourist Attraction in Munggu Village, Bali”, (2018): pp. 10-18. In: Gafar, A., R. Suprina, Amrullah, D.

Gantina (Eds.). Proceedings of The International Conference on Tourism, Gastronomy and Tourist Destination, Atlantis Press, Jakarta, Indonesia, 400p.

Reality, Tim. Kamus Terbaru Bahasa Indonesia. Surabaya: Reality Publisher, 2008.

Ruastiti, N.M., G.Y.K. Pradana, I.K. Purnaya and K.S.M. Parwati. “The Royal Dinner Party PuriAnyar Kerambitan Tabanan : A Sustainable Cultural

Tourism Attraction Based on Local Community”, (2018) : pp.1448-1459.In :A.D. Witjaksono, D.Tandyonomanu, A.O.T. Awaru, T. Pangalila, Tsurroya,

A.M. Fauzi, R.N.B. Aji, D.A. Larasati, I.P.M.H. Purba, G.Wahyu P., Y.Lestari(eds.).Proceedings of The 1st International Conference of Social

Science,Atlantis Press, Nusa Dua Bali, Indonesia, 1.269p.

Setiasih, Ni Wayan. Tesis: Kajian Estetikadan Makna Logotype Band Rezume. Pascasarjana ISI Denpasar, 2015.

Supriono, Rahmat. Desain Komunikasi Visual teori&aplikasi. Yogyakarta: Penerbit

Wong, Wucius. Beberapa Asas Merancang Dwimatra. Penerjemah: AdjatSakri. Bandung: Penerbit ITB, 1986.

Sutrisno, Mudjidkk. Teks-Teks Kunsi Estetika Filsafat Seni. Yogyakarta: Galang Press. 2005.

Downloads

Published

2019-05-20

Issue

Section

Article