Ezra Pound's Subject Matter and the Poetic Avant-Garde

Authors

  • C. M. Foltz University of Texas, Dallas

DOI:

https://doi.org/10.18533/journal.v4i10.832

Keywords:

Avant-Garde, Ezra pound, language poetry, modern poetry, poetics.

Abstract

This paper explores Ezra Pound’s poetics in light of certain American avant-garde poetic schools who claim literary inheritance from him. Specifically, critics in the 1970s to 1990s attempted to redefine Pound’s ars poetica strictly in political terms without acknowledging numerous essays in which he remained apolitical with respect to poetry. In addition to this, Pound’s conception of poetic meter and other theoretical bases are explored. Some of these include Pound’s belief that subject matter is the source of poetic form, and that authorial intention is intimately related to how cultures promote values and a literary tradition. Though Pound is named as a predecessor of American avant-garde-ism, this paper explores how these connections are more tenuous than previously accepted by the academy.

Author Biography

  • C. M. Foltz, University of Texas, Dallas
    Currently, I teach creative writing and rhetoric at the University of Texas, Dallas. I am ABD Ph.D.

References

Bartlett, L. (Summer, 1986). “What is Language Poetry?” Critical Inquiry, 12(4), 741-752.

Beach, C. (1992). ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition. Berkeley, Cal.: University of California Press.

Bernstein, G. (1996). "Poetics of the Americas." Modernism/Modernity, 3(3), 1-23.

Bloom, H, ed. (1987). Ezra Pound. New York: Chelsea House.

Bornstein, C., ed. (1985). Ezra Pound among the poets Homer, Ovid, Li Po, Dante, Whitman, Browning, Yeats, Williams, Eliot. Chicago: University of Chicago.

Coffman, S. R., Jr. (1951). Imagism: A Chapter for the History of Modern Poetry. Norman, Okla.: University of Oklahoma Press.

Comens, B. (1995). Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky. Tuscaloosa, Ala.: University of Alabama Press.

Dasenbrock, R. W. (1985). Literary vorticism of Ezra Pound and Wyndham Lewis towards the condition of painting. Baltimore: Johns Hopkins UP.

Finch, A. (1993). The Ghost of Meter: Culture and Prosody in American Free Verse. Ann Arbor, Mich.: The University of Michigan Press.

Gioia, D. (Autumn 1987). “Notes on New Formalism.” Hudson Review, 40(3), 1-6.

Greer, M. (Winter-Spring, 1989). “Ideology and Theory in Recent Experimental Writing or, the Naming of ‘Language Poetry.’” boundary 2, 16(2/3), 335-355.

Hesse, E., ed. (1969). New approaches to Ezra Pound a co-ordinated investigation of Pound's poetry and ideas. London: Faber.

Heinzelman, K., ed. (2004). "Make It New" The Rise of Modernism. Detroit: Harry Ransom Humanities Research Center.

Izenberg, O. (2003). “Language Poetry and Collective Life.” Critical Inquiry, 30(1), 132-159.

Kalaidijian, W. (Summer, 1991). “Transpersonal Poetics: Language Writing and the Historical Avant-Gardes in Postmodern Culture.” Postmodern Culture, 3(2), 319-336.

Kenner, H. (1998, November 1) The Grand Tour [Interview by H. Blume]. Boston Book Review.

------. (1985). The Poetry of Ezra Pound, Lincoln, Neb: University of Nebraska Press.

------. (1971). The Pound Era. Berkeley, Cal.: The University of California Press.

Longenbach, J. (1987). Modernist Poetics of History: Pound, Eliot, and the Sense of the Past. Princeton, N.J.: Princeton University Press.

Malkoff, K. (1977). Escape from the Self: A Study in Contemporary American Poetry and Poetics. New York: Columbia University Press.

Mazzaro, J. (1980). Postmodern American Poetry. Urbana, Ill.: University of Illinois Press.

McGann, J. J. (Spring, 1987). “Contemporary Poetry, Alternative Routes.” Critical Inquiry, 13 (3), 624-647.

McIrvin, M. (2000). “Why Contemporary Poetry Is Not Taught in the Academy.” Rocky Mountain Review of Language and Literature, 54(1), 89-99.

Paige, D. D., ed. (1950). Selected Letters of Ezra Pound (1907-1941). New York: New Directions.

Perloff, M. (1985). The Dance of the Intellect: Studies in the Poetry of the Pound Tradition. New York: Cambridge University Press.

------. (1981). The Poetics of Indeterminacy: Rimbaud to Cage. Princeton, N.J.: Princeton University Press.

Pound, E. An Interview [Interview by D. Hall]. (1962, June/July). Paris Review, (28), 22-28.

Pound, E. (2005). Early Writings: Poems and Prose. New York: Penguin Books.

------. (1992). EZRA POUND: CONTRIB 1933-1 935 (Ezra Pound's Poetry & Prose, 1933-1935). Ed. A. Walton Litz and James Longenbach. Comp. Lea Baechler. 9. New York: Garland Science.

------. (1979). Literary Essays of Ezra Pound. Westport, Conn.: Greenwood Press.

------. (1975). Selected Prose, 1909-1965. New York: New Directions Pub. Corp.

Redman, T. (1991). Ezra Pound and Italian Fascism. New York: Cambridge University Press.

Shapiro, A. (Autumn, 1987). “The New Formalism.” Critical Inquiry, 14(1), 200-213.

Singh, G. (1994). Ezra Pound as Critic. New York: St. Martin’s Press.

Spiegelman, W. (1989). The Didactic Muse: Scenes of Instruction in Contemporary American Poetry. Princeton, N.J.: Princeton University Press.

Von Hallberg, R. (1985). American Poetry and Culture, 1945-1980. Cambridge, Mass.: Harvard University Press.

Walzer, K. (1998). The Ghost of Tradition: Expansive Poetry and Postmodernism. Ashland, Ore.: Story Line Press.

Williams, W. C. (1978). I Wanted to Write a Poem: the Autobiography of the Works of a Poet. New York: New Directions.

Wittgenstein, L. (2001). Philosophical Investigations 50th Anniversary Commemorative Edition. Trans. G. E.M. E. Anscombe. Grand Rapids: Blackwell, Incorporated.

Downloads

Published

2015-10-27

Issue

Section

Article

Similar Articles

31-40 of 270

You may also start an advanced similarity search for this article.