Eco-criticism Reading of San Mao’s The Story in the Sahara

Authors

  • Xin Li
  • Xin Liang

DOI:

https://doi.org/10.18533/journal.v7i7.1410

Keywords:

San Mao, The Story in the Sahara, Eco-criticism

Abstract

San Mao is a Taiwanese female writer, often recognized as one with the most legendary and charismatic charm in the eyes of readers in mainland China since the 1980s. She is also a travel writer. Her well-known book, The Story in the Sahara, is a collection of excellent prose on the background of the Sahara Desert in northern Africa. The book is full of the desolate, unpretentious landscape of the Sahara Desert, the strange exoticism of the Arab region, the rich and varied customs of the Saharawi, and the romantic and simple life and deep love between San Mao and Jose. This article intends to analyze this book with a new perspective--Eco-criticism. Through the Eco-criticism analysis of San Mao’s The Story in the Sahara, the study focuses on San Mao’s pursuit of spiritual freedom and the romantic life. Hopefully, the elaborate analysis can inspire readers’ understanding of the importance of the balance and harmony between nature, society and spiritual ecology, as well as the importance of building a harmonious society and maintaining a healthy spiritual ecology among humans.

References

Cheryll Clotfelty. (1996) Harold Fromm. The Eco-criticism Reader: Landmarks in Literary Ecology. Athens: The University of Georgia Press.

Lu Shuyuan. (2001) Ecological Criticism Space. Shanghai: East China Normal University Press.

San Mao. (2013) The Story in the Sahara (P191). Beijing: October Literature and Art Publishing House.

San Mao. (2013) The Story in the Sahara (P241). Beijing: October Literature and Art Publishing House.

San Mao. (2013) The Story in the Sahara (P140). Beijing: October Literature and Art Publishing House.

San Mao. (2013) The Story in the Sahara (P144). Beijing: October Literature and Art Publishing House.

San Mao. (2013) The Story in the Sahara (P67). Beijing: October Literature and Art Publishing House.

San Mao. (2013) The Story in the Sahara (P69). Beijing: October Literature and Art Publishing House.

Lu Shuyuan. (2001) Ecological Criticism Space. Shanghai: East China Normal University Press.

San Mao. (2013) The Story in the Sahara (P126). Beijing: October Literature and Art Publishing House.

Bai Zhenyou.(2009) On the Aesthetic Characteristics of San Mao’s Prose Language. Modern and Contemporary Literature, 10:13-14.

Chen Wangdao.( 2008) Verbal Rhetoric. Shanghai: Fudan University Press.

Dong Xiaoyu, Liu Haitao.(2014) Modern Writing Course. Beijing: Beijing Higher Education Press.

He Xiaoyi. (2014) Appreciation of the artistic charm of Sanmao’s prose works. Examination Weekly, 08:14.

Luo Jingjing. (2011) The Rhetorical Analysis of San Mao’s The Story of the Sahara. Tianjin: Tianjin University.

Sun Jin. (2009) The mundane pursuit of dreamers--interpretation of San Mao’s life and creation. Anhui Literature (the second half), 12: 10.

Xiao Xia. (2007) Free and Elegant Song of the Soul: On the Characteristics of San Mao’s Prose. Journal of Liaoning Administration Institute, 02: 197-198.

Yang Yuxia. (2014) An Analysis of the Language Styles of San Mao’s Prose Popularity and Popularity. Language & Literary Studies, 01:91-92.

Yin Xiaoming. (2001) The Language Features of San Mao’s Prose. Journal of Yancheng Teachers College, 03:13-17.

Yumou Chang.(2000) Ecological Philosophy. Xi’an: Shaanxi People’s Publishing House.

Downloads

Published

2018-08-04

Issue

Section

Article

Similar Articles

1-10 of 100

You may also start an advanced similarity search for this article.