The Formation of Digital Piracy Management Business Models in the Music Records Industry

Authors

  • Edverdas Vaclovas Bartkus Vilnius University
  • Marius Akulavičius Vilnius University

DOI:

https://doi.org/10.18533/journal.v4i2.666

Keywords:

Digital piracy, digital piracy management, music industry, new business models.

Abstract

Over the past two decades due to the rapid expansion of the Internet and content products (music, movies, books and software) digital distribution, the number of users copying and distributing these products without the legal consent of their authors is increasing - a phenomenon known as digital piracy. This poses new challenges to the creative content industry seeking to protect itself against the loss of income and copyright infringement.  This problem is particularly relevant to the recorded music industry, as it has the large scale of digital piracy related to very convenient reproduction and distribution of illegal music records.  The widespread practice of record use in the digital space is not favorable to traditional business models based on the distribution of music in physical format. An increasing variety of digital piracy forms and decreasing technical limitations at the same time create new opportunities to manage digital piracy through the use of new technical, legal or economic decisions. This creates need to discuss the relevance and theoretical aspects of digital piracy management in the recorded music industry, and to analyze and compare most widespread digital piracy management business models of in the recorded music industry.

Author Biographies

  • Edverdas Vaclovas Bartkus, Vilnius University
    Assoc. prof, dr., Department of Economics and Managemant
  • Marius Akulavičius, Vilnius University
    Phd student, Department of Economics and Managemant

References

Aguiar, L., Martens B. (2013). Digital music consumption on the internet: evidence from clickstream data. JRC Technical Reports: Digital economy working Paper 2013/04. Institute for prospective technological studies.

Amazon. (2013 August 5). Amazon MP3. Retrieved From the Amazon website: http://www.amazon.com/MP3-Music-Download/b/ref=sa_menu_mp3_str?ie=UTF8&node

Anderson, C. (2008). Free! Why $0.00 Is the future of business. Retrieved From the Wired website http://www.wired.com/techbiz/it/magazine/16-03/ff_free.

Apple. (2013 August 05) iTunes. Retrieved From the Amazon website: http://www.apple.com/lt/itunes

Bergman, F. (2004). Napster & the music industry. Barcelona: ESADE. Retrieved From the fraber website http://www.fraber.de/gem/Napster%20and%20the%20Music%20Industry%20010617.pdf

Ek, D. (2012). Apple, Playlists and the end of the CD. Presented at the Wall street journal’s all things digital conference, California, May.

Hammond, R. G. (2012). Profit leak? Pre-release file sharing and the music industry. Working paper, North Carolina state university, Raleigh, North Carolina.

Kafka, P. (2012). Spotify vs. the pirates. Presented at Wall street journal’s all things digital conference, California, May.

Kampmann, M.W. (2010). Online piracy and consumer affect: To pay or not to pay. Netherlands: University of Twente.

Kreitz, G., Niemela F. (2010). Spotify - Large scale, low latency, P2P music-on-demand streaming. Peer-to-peer computing (P2P), Presented at 2010 IEEE Tenth international conference. Delft, 25-27 August.

Madden, M. (2009). The state of music online: ten years after Napster. Pew internet & american life project, Washington. Retrieved From the Pewinternet website: http://www.pewinternet.org/~/media/Files/Reports/2009/The-State-of-Music-Online

Media Vision (2013). Musiksverige – fildelning & nedladdning. Utdrag ur rapport Q2 2011. Retrieved From the Scribd website : http://www.scribd.com/doc/66658516/Musiksverige-Svenskarnas-Internet-Van-Or-Q2-20111

OECD (2007). The economic impact of counterfeiting and piracy. Secretary-general of the OECD. Retrieved From the OECD website: http://www.oecd.org/sti/38707619.pdf;

Spotify. (2013 May 05). About us. Retrieved From the Spotify website: https://www.spotify.com/lt

Vaccaro, V. L., Cohn, D. Y. (2004). The Evolution of business models and marketing strategies in the music industry. The international journal on media management, 61(1&2): p. 46-58.

Waldfogel, J. (2010). Music file sharing and sales displacement in the iTunes era. Information economics and policy, No. 22. p. 306-314.

Downloads

Published

2015-02-25

Issue

Section

Article

Similar Articles

1-10 of 214

You may also start an advanced similarity search for this article.