Sociology of Social Documentary Photography in Forming Social Movements and its Effect on Iran Islamic Revolution

Saeedeh Rahman Setayesh, Mahgan Farhang Khaghanpour

Abstract


Photography is taken as one of the modern disciplines of the art world. Social documentary photography, with its realistic, impartial and truthful nature, is aimed at keeping a record of social events. It is a document of an event happened in front of the camera which may symbolize history and identity of a society. As a science, sociology has emerged concurrently. Sociology of art is aimed at introducing the art or style of a given era which has been created by a given society. Reflection and formation are two significant approaches of sociology of art. It is aimed to highlight the effect of sociology of photography in forming social movements especially Iran Islamic revolution.


Keywords


Formation, Photography, Reflection, Sociology, Social Documentary.

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References


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DOI: http://dx.doi.org/10.18533/journal.v6i4.1114

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Journal of Arts and Humanities (Print) ISSN:2167-9045

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[Journal of Arts and Humanities previously published by MIR Center for Socio-Economic Research, MD, USA. From February 2018 this journal is published by the LAR Center Press, OR, USA]