Pioneering a Pop Musical Idiom: Fifty Years of The Benga Lyrics in Kenya

Joseph Muleka

Abstract


Since the fifties, Kenya and Democratic Republic of Congo (DRC) have exchanged cultural practices, particularly music and dance styles and dress fashions. This has mainly been through the artistes who have been crisscrossing between the two countries. So, when the Benga musical style developed in the sixties hitting the roof in the seventies and the eighties, contestations began over whether its source was Kenya or DRC. Indeed, it often happens that after a musical style is established in a primary source, it finds accommodation in other secondary places, which may compete with the originators in appropriating the style, sometimes even becoming more committed to it than the actual primary originators. This then begins to raise debates on the actual origin and/or ownership of the form. In situations where music artistes keep shuttling between the countries or regions like the Kenya and DRC case, the actual origin and/or ownership of a given musical practice can be quite blurred. This is perhaps what could be said about the Benga musical style. This paper attempts to trace the origins of the Benga music to the present in an effort to gain clarity on a debate that has for a long time engaged music pundits and scholars. The paper anchors its approach on the tenets of New-historicism as well Evolutionism to interrogate the origins, form and movement of this music style. Research for the paper involved interviews with some of the Kenyan musicians who have performed since the sixties and extensive revisit of recordings by both Kenyan and DRC musicians from the sixties to the late eighties. My conclusion is that the primary origin of Benga is Kenya and not DRC as some sources have suggested.


Keywords


Benga, Evolutionism, Dance Styles, Musical Idioms, New-Historicism, Origins of Music.

Full Text:

PDF

References


Acknowledgments: Tabu Osusa, Executive Producer, Ketebul Music

http://www.theguardian.com/world/2013/jul/24/kenya-special-musical-history

http://www.wipo.int/wipo_magazine/en/2007/04/article_0001.html

"On the Beat – Tapping the Potential of Kenya's Music Industry ", a WIPO Magazine article

Paterson, Doug. "The Life and Times of Kenyan Pop". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music Vol. 1: Africa, Europe and the Middle East. pp 509–522. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0.

Senoga-Zake, George. Folk Music of Kenya. Nairobi: Uzima Press, 1986.ISBN 9966-855-02-5.

Wikipedia, the free encyclopedia

www.ketebul Music.org




DOI: http://dx.doi.org/10.18533/journal.v7i10.1491

Refbacks

  • There are currently no refbacks.




.............................................................................................................................

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License

.............................................................................................................................

If you find difficulties in submitting manuscript please forward your doc file to support@theartsjournal.org. Our support team will assist you in submission process and other technical matters.

In order to get notifications on inbox please add theartsjournal.org in your email safe list.

Journal of Arts and Humanities (Print) ISSN:2167-9045

Journal of Arts and Humanities (Online) ISSN: 2167-9053

[Journal of Arts and Humanities previously published by MIR Center for Socio-Economic Research, MD, USA. From February 2018 this journal is published by the LAR Center Press, OR, USA]